Glass objects in the collection date back almost 4,500 years and include objects from virtually every period since. The depth of the glass objects in The al-Sabah Collection allows both scholars and visitors to study, understand and appreciate the evolution of glass techniques from the Bronze Age to 19th century CE.
A stellar example of early glass work can be found on an Achaemenid colourless glass bowl from the late 6th to 5th centuries BCE. The relief-cut rosette, leaf and lotus bud design provides a hint of work to come, presenting a motif that would appear in glass objects even millennia away.
The glassmakers of the Islamic Mediterranean and Iranian regions inherited a rich tradition of techniques and types from their forebears that they were to take in new directions in the mediaeval period.
In Iran the cutting of glass on abrasive wheels continued uninterrupted from the Sasanian period until the 11th century AD. Large numbers of blown glass vessels survive from the earliest period up to the 15th century AD; many of these were blown into metal or ceramic moulds to produce elegant shapes with integral surface decoration..
From the 13th century the glass makers of Syria and Egypt developed a new technique for painting on plain glass vessels. This new type of glass decoration was initially used to produce figural scenes; later a robust calligraphic style was developed, where the entire surface decoration of the likes of mosque lamps and vases is dominated by prominent inscriptions, often further embellished with surface gilding, a style that had never before been seen in glass.
Glass objects in the collection date back almost 4,500 years and include objects from virtually every period since. The depth of the glass objects in The al-Sabah Collection allows both scholars and visitors to study, understand and appreciate the evolution of glass techniques from the Bronze Age to 19th century CE.
A stellar example of early glass work can be found on an Achaemenid colourless glass bowl from the late 6th to 5th centuries BCE. The relief-cut rosette, leaf and lotus bud design provides a hint of work to come, presenting a motif that would appear in glass objects even millennia away.
The glassmakers of the Islamic Mediterranean and Iranian regions inherited a rich tradition of techniques and types from their forebears that they were to take in new directions in the mediaeval period.
In Iran the cutting of glass on abrasive wheels continued uninterrupted from the Sasanian period until the 11th century AD. Large numbers of blown glass vessels survive from the earliest period up to the 15th century AD; many of these were blown into metal or ceramic moulds to produce elegant shapes with integral surface decoration..
From the 13th century the glass makers of Syria and Egypt developed a new technique for painting on plain glass vessels. This new type of glass decoration was initially used to produce figural scenes; later a robust calligraphic style was developed, where the entire surface decoration of the likes of mosque lamps and vases is dominated by prominent inscriptions, often further embellished with surface gilding, a style that had never before been seen in glass.
Glass bottle, transparent purple body with trailed and marvered pattern in opaque red and yellow and translucent blue and turquoise (the green colour resulting from the overlapping of turquoise onto yellow)
Inv. no. LNS 71 KG
Blown, trailed, tooled and marvered
Height 12.7 cm; diameter 5.7 cm
Egypt or Greater Syria, 8th – 9th century AD
2nd – 3rd century AH
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For information on our publication Glass from Islamic Lands